The song, co-written by Stephen Schwartz, Hans Zimmer and with additional production by Babyface, was nominated for the Best Original Song (Motion Picture) at the 1999 Golden Globes, and was also nominated for Outstanding Performance of a Song for a Feature Film at the ALMA Awards. The pop version of the song was performed at the ceremonies by Whitney Houston and Mariah Carey. The film was nominated for best score and won for Best Original Song at the 1999 Academy Awards for "When You Believe". The exceptions were Michelle Pfeiffer, Ralph Fiennes, Steve Martin, and Martin Short, who sang their own parts.
#Watch moses prince of egypt online professional
The voice cast featured a number of major Hollywood actors in the speaking roles, while professional singers replaced them for the songs. The story follows the life of Moses from his birth, through his childhood as a prince of Egypt, and finally to his ultimate destiny to lead the Hebrew slaves out of Egypt, which is based on the Biblical story of Exodus.ĭirected by Brenda Chapman, Simon Wells and Steve Hickner, the film featured songs written by Stephen Schwartz and a score composed by Hans Zimmer. At the very least, I think it will show the movie-going public what the medium is capable of.The Prince of Egypt is a 1998 American animated film, the first traditionally animated film produced and released by DreamWorks. I hope it sets a new standard for feature-length animated films. It's worth seeing because of the animation. The bottom line is, despite any objections, complaints, or concerns I might have about this film, despite the moral, religious, or idealogical issues it brings up, and despite the $8 and two hours you'll spend, this film is worth seeing. No character can be effective if the viewer can't separate the voice from the actor supplying it. I wish they would stop relying on celebrity voices for animated features. I suspect that I wasn't really bothered by the others only because I hadn't seen a cast list before seeing the film. The only complaint I have about the voice acting is that Jeff Goldblum's unmistakable mannerisms seriously distract from his character. In general, I thought the story was well told, with solid direction and a good script. On the other hand, it's a story in which the protagonists succeed only through a greater capacity for cruelty and destruction and the slaughter of innocent children, so it's kind of hard to nail down any concrete moral standard here. I found their musical number especially appalling. Even worse than their unoriginality, however, is the open mockery of ancient Egyption religion and culture, which these two characters embody. I am referring, of course, to the unnecessary musical numbers and the two high priests, the film's comic relief, who are drawn grossly out of proportion to the other characters. What a shame, since Disney hasn't made a decent film since Aladdin. Comparisons with Disney are inevitable, especially because Prince of Egypt employs tired Disney formula in an attempt, I assume, to remain economically viable. In fact, the initial depiction of Egypt is so breathtaking, that it seriously hinders the film's later efforts to vilify it. More importantly, as someone who has eyes, I can say that the result is a visual experience of intense style and beauty.
As someone who has an interest and appreciation of animation, I can say that this is the first film I've seen that successfully integrates computer-generated animation and traditional animation (and I've seen many attempts). Before commenting on the film as a whole, I want to make that clear, because in the inevitable rush to pick this film apart (the plot, the voices, the religious significance, the literary accuracy, the moral issues, the music, the comparisons with Disney and de Mille, etc.) one might easily become distracted from the aesthetic and technical triumphs of The Prince of Egypt, and that would be unfortunate. This is very possibly the finest animation I've seen.
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